What We Do
Torch Literary Arts is a 501(c)3 nonprofit organization established to publish and promote creative writing by Black women. We publish contemporary writing by experienced and emerging writers alike. TORCH has featured work by Colleen J. McElroy, Tayari Jones, Sharon Bridgforth, Crystal Wilkinson, Patricia Smith, Natasha Trethewey, Elizabeth Alexander, and others. Programs include the Wildfire Reading Series, writing workshops, and retreats.
Our Mission
To promote the work of Black women by publishing contemporary creative writing by experienced and emerging writers alike, to archive contributors' literary work for posterity and educational purposes, and provide resources and opportunities for the advancement of Black women through literary arts.
Amanda Johnston
Founder/Executive Director
Amanda Johnston earned a Master of Fine Arts in Creative Writing from the University of Southern Maine. She is the author of two chapbooks, GUAP and Lock & Key, and the full-length collection Another Way to Say Enter. Her work has appeared in numerous online and print publications, among them, Callaloo, Poetry Magazine, Puerto del Sol, Muzzle, and the anthologies, Furious Flower: Seeding the Future of African American Poetry and Women of Resistance: Poems for a New Feminism. She has received fellowships, grants, and awards from Cave Canem Foundation, Hedgebrook, Tasajillo, the Kentucky Foundation for Women, The Watermill Center, and the Austin International Poetry Festival. She is a former Board President of Cave Canem Foundation, a member of the Affrilachian Poets, cofounder of Black Poets Speak Out, and founder of Torch Literary Arts.
Amanda Johnston earned a Master of Fine Arts in Creative Writing from the University of Southern Maine. She is the author of two chapbooks, GUAP and Lock & Key, and the full-length collection Another Way to Say Enter. Her work has appeared in numerous online and print publications, among them, Callaloo, Poetry Magazine, Puerto del Sol, Muzzle, and the anthologies, Furious Flower: Seeding the Future of African American Poetry and Women of Resistance: Poems for a New Feminism. She has received fellowships, grants, and awards from Cave Canem Foundation, Hedgebrook, Tasajillo, the Kentucky Foundation for Women, The Watermill Center, and the Austin International Poetry Festival. She is a former Board President of Cave Canem Foundation, a member of the Affrilachian Poets, cofounder of Black Poets Speak Out, and founder of Torch Literary Arts.
Sheree Ross
Board Chair
Sheree L. Ross is a thought leader, Metaphysical coach, and an award-winning writer. Sheree’s most recent project was as co-writer for the Audible narrative drama, Loops, starring Vivica A. Fox, produced by Migrante Media. Sheree's romantic comedy Accidental Hearts is in development with AdeRisa Productions. She is an award-winning director and founder of the popular social media platform Women Filmmakers of Color @womenfilmofcolr with over 16,000 followers. Sheree holds visionary leadership around creative culture, expression and its infinite possibilities. She uses her creativity and entrepreneurial background to help push the conversation beyond perceived limitations and towards personal and global empowerment for Black women and queer people of color.
Sheree L. Ross is a thought leader, Metaphysical coach, and an award-winning writer. Sheree’s most recent project was as co-writer for the Audible narrative drama, Loops, starring Vivica A. Fox, produced by Migrante Media. Sheree's romantic comedy Accidental Hearts is in development with AdeRisa Productions. She is an award-winning director and founder of the popular social media platform Women Filmmakers of Color @womenfilmofcolr with over 16,000 followers. Sheree holds visionary leadership around creative culture, expression and its infinite possibilities. She uses her creativity and entrepreneurial background to help push the conversation beyond perceived limitations and towards personal and global empowerment for Black women and queer people of color.
Florinda Bryant
Board Secretary
Florinda Bryant is an interdisciplinary artist and arts educator who calls Austin home. Holding it down in every aspect of performance, whether writing, performing or directing, Florinda’s passion and dedication to her craft is evident. As a performer and director she is no stranger to many stages in Austin, having worked with Salvage Vanguard Theater, the Rude Mechs, the Vortex, Paper Chairs and Teatro Vivo. Some of her favorite performances include Am I White ( by Adrienne Dawes), The Panza Monologues ( by Virginia Grise), Bright Now Beyond ( By Daniel Alexander Jones and Bobby Halverson) and Fixing King John ( adapted by Kirk Lynn). As a writer and poet, Florinda enjoys engaging audiences in explorations around identity, body and community. Her award winning one-woman show Half-Breed Southern Fried was produced as part of the Performing Blackness Series at UT and was directed by Laurie Carlos.
Florinda Bryant is an interdisciplinary artist and arts educator who calls Austin home. Holding it down in every aspect of performance, whether writing, performing or directing, Florinda’s passion and dedication to her craft is evident. As a performer and director she is no stranger to many stages in Austin, having worked with Salvage Vanguard Theater, the Rude Mechs, the Vortex, Paper Chairs and Teatro Vivo. Some of her favorite performances include Am I White ( by Adrienne Dawes), The Panza Monologues ( by Virginia Grise), Bright Now Beyond ( By Daniel Alexander Jones and Bobby Halverson) and Fixing King John ( adapted by Kirk Lynn). As a writer and poet, Florinda enjoys engaging audiences in explorations around identity, body and community. Her award winning one-woman show Half-Breed Southern Fried was produced as part of the Performing Blackness Series at UT and was directed by Laurie Carlos.
Stephanie L. Lang
Board Treasurer
Stephanie L. Lang, whose family has lived in Central Texas for multiple generations, is a published writer and community curator who uses the power of storytelling to explore concepts of home and resistance. Previously, Ms. Lang worked for the John L Warfield Center for African & African American Studies at the University of Texas for over 15 years. In her position as Program Administrator, Ms. Lang created community-centered programming; that fostered relationships between the University and Austin community organizations. Currently, she is the Director of Equity and Community Advocacy for The Center for Community Engagement (CCE) in the Office of the Vice President in the Division of Diversity and Community Engagement (DDCE) at The University of Texas at Austin. In 2018, after the success of multiple community curatorial projects, Ms. Lang founded RECLAIM, an organization working to discover, recover, and ultimately showcase the narratives and histories of black people throughout the diaspora, and present these findings through an artistic and thought-provoking lens.
Stephanie L. Lang, whose family has lived in Central Texas for multiple generations, is a published writer and community curator who uses the power of storytelling to explore concepts of home and resistance. Previously, Ms. Lang worked for the John L Warfield Center for African & African American Studies at the University of Texas for over 15 years. In her position as Program Administrator, Ms. Lang created community-centered programming; that fostered relationships between the University and Austin community organizations. Currently, she is the Director of Equity and Community Advocacy for The Center for Community Engagement (CCE) in the Office of the Vice President in the Division of Diversity and Community Engagement (DDCE) at The University of Texas at Austin. In 2018, after the success of multiple community curatorial projects, Ms. Lang founded RECLAIM, an organization working to discover, recover, and ultimately showcase the narratives and histories of black people throughout the diaspora, and present these findings through an artistic and thought-provoking lens.
Dr. Sequoia Maner
Board Member
Dr. Sequoia Maner is an Assistant Professor of English at Spelman College where she teaches classes about 20-21st century African American literature and culture. She is author of the prize-winning poetry chapbook Little Girl Blue (2021, Host Publications) and co-editor of the book Revisiting the Elegy in the Black Lives Matter Era (2020, Routledge). Sequoia’s 33 1/3 book about Kendrick Lamar’s To Pimp a Butterfly debuts summer 2022 (Bloomsbury). Her poem “upon reading the autopsy of Sandra Bland” was a finalist for the 2017 Gwendolyn Brooks Poetry Prize and her essays, poems, and reviews can be found in venues such as Meridians, Obsidian, The Langston Hughes Review, The Feminist Wire, Auburn Avenue, and elsewhere. She is at work on a poetic memoir about the foster care system in Los Angeles.
Dr. Sequoia Maner is an Assistant Professor of English at Spelman College where she teaches classes about 20-21st century African American literature and culture. She is author of the prize-winning poetry chapbook Little Girl Blue (2021, Host Publications) and co-editor of the book Revisiting the Elegy in the Black Lives Matter Era (2020, Routledge). Sequoia’s 33 1/3 book about Kendrick Lamar’s To Pimp a Butterfly debuts summer 2022 (Bloomsbury). Her poem “upon reading the autopsy of Sandra Bland” was a finalist for the 2017 Gwendolyn Brooks Poetry Prize and her essays, poems, and reviews can be found in venues such as Meridians, Obsidian, The Langston Hughes Review, The Feminist Wire, Auburn Avenue, and elsewhere. She is at work on a poetic memoir about the foster care system in Los Angeles.
Candace Lopez
Board Member
Candace Lopez is a non-profit professional with over 14 years of experience in Fundraising and Development. She is a Development Generalist with a specialization in individual giving, program development, and operational efficiency. She is humbled to have raised money for organizations in Austin, San Antonio, Los Angeles, and the San Francisco Bay Area. Her fundraising portfolio is diverse and spans various causes including civil liberties, the arts, higher education, domestic violence, and gender equity. She currently serves as the Chief Philanthropy Officer for Horizons Foundation in San Francisco, the first community foundation of, by, and for LGBTQ people. In her current role, she leads the foundation’s development efforts as well as philanthropic advising. Candace is a member of The Austin Project, a writing project for women of color.
Candace grew up in the Texas panhandle, and her family moved to St. Anthony, Idaho where she attended high school. She earned her Bachelor of Arts degree in Communication with a minor in Spanish from Pepperdine University. She spent her sophomore year in Argentina as part of a study abroad program, and a summer program in Italy, London, and Greece. Her time in Latin America was so impactful that she attended the University of Texas at Austin and earned her Master of Arts degree in Latin American Studies with a certificate in Women’s and Gender Studies. Her research focused on sexuality, gender, citizenship, and immigration. When not at work, she’s an avid baker, hiker, home chef, traveler, wife to her partner Mars, and dogmom to her two precious babies, Sammy Jr., and Cuca.
Candace Lopez is a non-profit professional with over 14 years of experience in Fundraising and Development. She is a Development Generalist with a specialization in individual giving, program development, and operational efficiency. She is humbled to have raised money for organizations in Austin, San Antonio, Los Angeles, and the San Francisco Bay Area. Her fundraising portfolio is diverse and spans various causes including civil liberties, the arts, higher education, domestic violence, and gender equity. She currently serves as the Chief Philanthropy Officer for Horizons Foundation in San Francisco, the first community foundation of, by, and for LGBTQ people. In her current role, she leads the foundation’s development efforts as well as philanthropic advising. Candace is a member of The Austin Project, a writing project for women of color.
Candace grew up in the Texas panhandle, and her family moved to St. Anthony, Idaho where she attended high school. She earned her Bachelor of Arts degree in Communication with a minor in Spanish from Pepperdine University. She spent her sophomore year in Argentina as part of a study abroad program, and a summer program in Italy, London, and Greece. Her time in Latin America was so impactful that she attended the University of Texas at Austin and earned her Master of Arts degree in Latin American Studies with a certificate in Women’s and Gender Studies. Her research focused on sexuality, gender, citizenship, and immigration. When not at work, she’s an avid baker, hiker, home chef, traveler, wife to her partner Mars, and dogmom to her two precious babies, Sammy Jr., and Cuca.
Hallie S. Hobson
Advisory Board Member
Hallie S. Hobson contributes to the vitality and health of philanthropic and nonprofit institutions by developing and implementing innovative planning, fundraising, and patron engagement strategies including: philanthropic strategy development and implementation; capital campaign and strategic planning; individual giving program design; major gift pipeline development; department buildout and optimization-staffing and systems; chief development officer coaching; board development.
Clients include Art Basel, Cave Canem Foundation, Destination Crenshaw, The Ford Foundation, The Friends of the High Line, Junebug Productions, The Laundromat Project, the New York Community Trust, and NPower.
Prior to launching her consultancy, Hallie served as the Director of Institutional Advancement for the Studio Museum in Harlem and led that organization’s Capital Campaign. Prior to that she was at The Metropolitan Museum of Art where she served as Deputy Chief Development Officer for
Individual Giving and the Senior Development Officer at The Museum of Modern Art. She has also held roles at several other cultural institutions including the New York Foundation for the Arts and The House Foundation for the Arts/Meredith Monk and has lectured about her profession at New York University, the Yale World Fellows Program, and Sotheby's Institute of Art.
In addition, Hallie is an accomplished poet and playwright. She holds an M.F.A. in Playwriting from UCLA and a B.A. in African-American and Theater Studies from Yale University.
Photo by Julie Skarratt
Hallie S. Hobson contributes to the vitality and health of philanthropic and nonprofit institutions by developing and implementing innovative planning, fundraising, and patron engagement strategies including: philanthropic strategy development and implementation; capital campaign and strategic planning; individual giving program design; major gift pipeline development; department buildout and optimization-staffing and systems; chief development officer coaching; board development.
Clients include Art Basel, Cave Canem Foundation, Destination Crenshaw, The Ford Foundation, The Friends of the High Line, Junebug Productions, The Laundromat Project, the New York Community Trust, and NPower.
Prior to launching her consultancy, Hallie served as the Director of Institutional Advancement for the Studio Museum in Harlem and led that organization’s Capital Campaign. Prior to that she was at The Metropolitan Museum of Art where she served as Deputy Chief Development Officer for
Individual Giving and the Senior Development Officer at The Museum of Modern Art. She has also held roles at several other cultural institutions including the New York Foundation for the Arts and The House Foundation for the Arts/Meredith Monk and has lectured about her profession at New York University, the Yale World Fellows Program, and Sotheby's Institute of Art.
In addition, Hallie is an accomplished poet and playwright. She holds an M.F.A. in Playwriting from UCLA and a B.A. in African-American and Theater Studies from Yale University.
Photo by Julie Skarratt
Raina Fields
Advisory Board Member
Raina Fields is a communications strategist, educator and writer with experience in the private sector, higher education institutions and nonprofit organizations. She is accredited in public relations (APR) and has degrees from Virginia Commonwealth University, Virginia Tech and Loyola University Maryland.
Raina is passionate about community outreach and the arts. She is a Cave Canem fellow, and has published poetry in Blackbird, Callaloo, The Collagist and Fjords Review, among others. She lives in Richmond, VA.
Raina Fields is a communications strategist, educator and writer with experience in the private sector, higher education institutions and nonprofit organizations. She is accredited in public relations (APR) and has degrees from Virginia Commonwealth University, Virginia Tech and Loyola University Maryland.
Raina is passionate about community outreach and the arts. She is a Cave Canem fellow, and has published poetry in Blackbird, Callaloo, The Collagist and Fjords Review, among others. She lives in Richmond, VA.
Jen Margulies
Advisory Board Member
Jen Margulies brings twenty-five years of experience with nonprofit organizations working for social justice, including ten years as an independent grant writer and consultant. She worked with Six Square to win a major National Endowment for the Arts “Our Town” grant to support cultural placemaking in historic Black East Austin. She is also an editor of several books of poetry through Evelyn Street Press, and of Voices for Racial Justice, a compilation co-edited with Sharon Bridgforth and published in collaboration with the Greater Austin YWCA. Jen was a member of Omi Osun Joni L. Jones’s The Austin Project and has been honored to learn from Black women writers and artists on the page, on the stage, on the screen, and in the world. She is committed to art as a force for liberation.
Jen Margulies brings twenty-five years of experience with nonprofit organizations working for social justice, including ten years as an independent grant writer and consultant. She worked with Six Square to win a major National Endowment for the Arts “Our Town” grant to support cultural placemaking in historic Black East Austin. She is also an editor of several books of poetry through Evelyn Street Press, and of Voices for Racial Justice, a compilation co-edited with Sharon Bridgforth and published in collaboration with the Greater Austin YWCA. Jen was a member of Omi Osun Joni L. Jones’s The Austin Project and has been honored to learn from Black women writers and artists on the page, on the stage, on the screen, and in the world. She is committed to art as a force for liberation.
We Believe
We believe that creative writing by Black women is valuable and necessary.
We believe in preserving our literary legacy by working across generations.
We believe that supporting creative writing adds to the cross-cultural appreciation of the arts.
We believe in utilizing current technology to connect our work to a broader audience.
We believe in meaningful collaboration based on respect, creativity, and freedom.
We believe in the power of community.